The Effect of Music Notation Presentational Format on College Students' Sight-Singing Fluency
Xinwei Liu
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04/04/2021
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This study aims to investigate four types of music notation presentational formats on music major sophomore students' sight-singing performance.
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- [00:00:01.240]Hello, this is Xinwei Liu, third year PhD student
- [00:00:04.550]and teaching assistant in music education.
- [00:00:07.540]Along with Dr. Rhonda Fuelberth, an associate professor,
- [00:00:11.420]we launched a study,
- [00:00:12.767]"The Effect of Music Notation Presentational Format
- [00:00:16.040]on College Students' Sight-Singing Fluency".
- [00:00:19.920]We're both from Glenn Korff School of Music in UNL.
- [00:00:23.870]We appreciate your interest and attention
- [00:00:26.340]to our research study.
- [00:00:30.980]Sight reading appears to be more
- [00:00:32.780]than simply a visual motor decoding task.
- [00:00:36.160]Musical knowledge, previous experiences in sight reading
- [00:00:40.090]and extensive aural skills training are key
- [00:00:43.060]to successful sight reading.
- [00:00:47.660]In order to facilitate music reading accuracy, practitioners
- [00:00:51.930]and researchers have examined multiple music notation
- [00:00:55.280]presentational format options, such as the use
- [00:00:58.660]of colored notation or graphic notation systems.
- [00:01:06.400]Experimentation with alternative notation systems has
- [00:01:10.070]historically been rooted in the attempt to create bridges
- [00:01:13.970]to the reading of conventional notation.
- [00:01:19.920]Figurenotes is one such alternative which has been
- [00:01:23.190]used successfully by young people with learning difficulties
- [00:01:26.930]in Finland and in Scotland.
- [00:01:29.360]It features the use of color and shape
- [00:01:31.740]to indicate pitch, duration and octave displacement.
- [00:01:36.520]The system employs a three level progression
- [00:01:39.380]toward reading traditional notation.
- [00:01:43.300]In this study to examine the effect
- [00:01:45.520]of music presentational notation formats
- [00:01:48.230]on college students' sight-singing fluency,
- [00:01:51.730]four presentational formats were employed
- [00:01:54.630]as treatment conditions.
- [00:01:56.930]Specifically Figurenotes notation level one as shown
- [00:02:00.920]in front of you where music notes are indicated
- [00:02:03.930]by level horizontal plane
- [00:02:06.260]and colored heads with solfege.
- [00:02:11.200]Figurenotes notation level two,
- [00:02:12.840]where music notes are indicated by on-staff
- [00:02:15.640]magnified colored heads with solfege.
- [00:02:20.690]Figurenotes notation level three also known as
- [00:02:23.660]colored standard notation where music notes are presented
- [00:02:27.620]by on-staff traditional notation with colored heads.
- [00:02:34.088]And the last one is the standard notation.
- [00:02:37.481]It refers to on-staff traditional notation
- [00:02:40.221]with black note heads.
- [00:02:41.310]Further, the study attempts to examine what type
- [00:02:44.230]of notation helped the students gain more information
- [00:02:47.750]in a limited time toward the purpose
- [00:02:49.960]of reading notation efficiently.
- [00:02:55.268]Here are some information regarding methods and materials.
- [00:02:59.583]There were 60 participants
- [00:03:01.107]who are collegiate level sophomore students
- [00:03:04.044]and are enrolled in music programs
- [00:03:06.287]to be invited to participate in this study.
- [00:03:08.600]Participants were asked to complete sight-singing
- [00:03:12.902]with four types of presentational music notation formats
- [00:03:16.182]in Qualtrics.
- [00:03:18.043]Each participant received four parallel musical examples.
- [00:03:22.115]And each example was presented in one of the four types
- [00:03:26.866]of musical notation, as shown here.
- [00:03:30.773]Students were asked to read
- [00:03:32.381]and record their sightseeing as audio files
- [00:03:35.580]and then upload recordings to Qualtrics.
- [00:03:39.135]Their performances were evaluated
- [00:03:41.401]by a panel of music professors.
- [00:03:44.368]Pitch, rhythmic accuracy
- [00:03:46.429]and overall performance were assessed.
- [00:03:51.346]All musical examples were adapted to be paralleled.
- [00:03:54.690]Such as all in 16 measures long, three four time signature,
- [00:03:59.403]within one octave, et cetera.
- [00:04:02.431]Since music excerpts are parallel, the type
- [00:04:05.132]of notation presentation plays an important role
- [00:04:08.362]in participants sight-singing performance.
- [00:04:14.812]In order to minimize practice effect,
- [00:04:18.051]the sequence of music excerpts were generated randomly
- [00:04:21.772]using Latin Square so that it counterbalances
- [00:04:24.819]the order effect.
- [00:04:28.822]One way ANOVA was used
- [00:04:30.213]to test the first two research questions which are
- [00:04:33.849]"What effect does music notation
- [00:04:36.052]"presentational format have on pitch accuracy,
- [00:04:39.860]rhythm accuracy, and overall performance of sight-singing?"
- [00:04:44.829]And "Is there a significant difference
- [00:04:47.185]"in sight-singing scores and the order
- [00:04:49.534]"of notation presentation format?"
- [00:04:53.403]The two way ANOVA was used to answer the third
- [00:04:55.953]question regarding interaction effect
- [00:04:59.548]between notation formats
- [00:05:00.990]and the order of notation reception.
- [00:05:05.792]However, the data collection phase
- [00:05:07.926]of this study was delayed due to the impact of COVID-19.
- [00:05:12.638]The design has been updated
- [00:05:14.596]to accommodate online implementation
- [00:05:17.224]and we are currently in the process
- [00:05:19.143]of data collection and analysis.
- [00:05:21.846]We look forward to sharing the final results
- [00:05:24.437]of this study with you in print.
- [00:05:27.110]Learning more about alternative notation systems
- [00:05:31.020]that originally designed for individuals
- [00:05:33.449]with specific learning needs may offer alternatives
- [00:05:37.071]for all musicians with emerging notation reading skills.
- [00:05:41.805]Thank you for participating in our presentation today.
- [00:05:45.213]Please join us in Zoom
- [00:05:47.001]or email us with any questions you may have.
- [00:05:50.210]Thank you.
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